NBA Ballers | |
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Developer(s) | Midway |
Publisher(s) | Midway Sports |
Engine | RenderWare |
Platform(s) | PlayStation 2, Xbox |
Release |
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Genre(s) | Basketball |
Mode(s) | Single player, Multiplayer |
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NBA Ballers is a streetball game which is similar to AND 1 Streetball and gameplay similar to the NBA Jam series. The game features fictional NBA analyst Bob Benson (voiced and depicted by Terry Abler) and MC Supernatural doing the commentary. Supernatural makes many references to the Mortal Kombat series and NFL Blitz, two games published by Midway. The game also maintains the 'player on fire' feature that is in many, if not all sports games published by Midway. Most of the moves that were in the game were from real-life street ballers who provided some of their moves for the game. Stephon Marbury is on the cover.
The game was followed by a version for the PlayStation Portable, NBA Ballers: Rebound and two sequels, NBA Ballers: Phenom and NBA Ballers: Chosen One.
Gameplay[edit]
Most matches are 1-on-1. Others can be 1-on-1-on-1, meaning you have three players each playing solely for themselves. The matches are 2 minutes in length and winner is the best of three rounds, each round being a game to 11 points where the winner must win by at least two points. If time runs out, the player with the most points will be declared the winner of that round.Jackpot: Located in the top left of the screen during game play: as the player pulls off style moves he earns points that go into a jackpot at the top of the screen and when a player scores he gets all accumulated jackpot.
- Juice Meter
In gameplay the player has a 'Juice Meter' that fills up like a fuel gauge and it is used at the turbo boost meter. It is the players energy and if it used up the meter will diminish.
- House Meter
The second meter below the Juice Meter is the 'House Meter' which is raised by pulling off style moves and scoring points. The meter is filled until the word 'HOUSE' is spelled. When totally filled, the player may choose to 'Bring Down the House' by holding all shoulder buttons and throwing an alley-oop to himself that tears down the rim and ends the match.
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Rags to Riches[edit]
Rags to Riches is the main story mode, in which the player portrays a relatively unknown rookie with certain abilities and must take on the best in the NBA to become arguably the greatest player in the association. Each match is done by tournament style and the player must defeat every opponent to advance to a new tournament to move the story along, and attributes rise during progression.
This game mode featured a full story told over 21 different cut scenes as the player progressed throughout the game. With the inclusion of this game mode, NBA Ballers became the first video game officially licensed by a league to contain a story mode.
Reception[edit]
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The game received 'favorable' reviews on both platforms according to the review aggregation website Metacritic.[17][18]GameSpot named it the best PlayStation 2 game of April 2004.[19] It received a runner-up position in GameSpot's 2004 'Best Alternative Sports Game' award category across all platforms, losing to Mario Power Tennis.[20]
Maxim gave it a score of eight out of ten and stated that 'Eighty-four hyper-detailed players are represented, or you can create your own baller and go rags-to-riches, racking up pimp-wear and Scarface-worthy real estate.'[21]The Village Voice similarly gave the PS2 version eight out of ten and stated, 'Like the sport itself, you can easily start a pickup game, or put all your time—and high hopes—into it. Playing D, of course, isn't nearly as fun.'[16]Playboy gave the game 75% (nearly two months before its U.S. release date) and said, 'Victory is accompanied by flashy jewelry, fancy cars, and the truest measure of a champ, a larger posse.'[15]
By July 2006, the PS2 version had sold 670,000 copies and earned $23 million in the United States. Next Generation ranked it as the 94th highest-selling game launched for the PlayStation 2, Xbox or GameCube between January 2000 and July 2006 in the U.S. Combined sales of the NBA Ballers series reached 1 million units in the United States by July 2006.[22]
References[edit]
- ^ ab'NBA Ballers'. Computer Games Magazine. No. 165. theGlobe.com. August 2004. p. 6.
- ^ abEGM staff (June 2004). 'NBA Ballers'. Electronic Gaming Monthly. No. 179. Ziff Davis. p. 92.
- ^ abReiner, Andrew (May 2004). 'NBA Ballers'. Game Informer. No. 133. GameStop. p. 92. Archived from the original on May 26, 2005. Retrieved December 25, 2019.
- ^ abDan Elektro (April 7, 2004). 'NBA Ballers'. GamePro. IDG Entertainment. Archived from the original on February 9, 2005. Retrieved December 25, 2019.
- ^Colayco, Bob (April 6, 2004). 'NBA Ballers Review (PS2)'. GameSpot. CBS Interactive. Retrieved December 25, 2019.
- ^Colayco, Bob (April 5, 2004). 'NBA Ballers Review (Xbox)'. GameSpot. CBS Interactive. Retrieved December 25, 2019.
- ^Leeper, Justin (April 4, 2004). 'GameSpy: NBA Ballers (PS2)'. GameSpy. IGN Entertainment. Archived from the original on November 7, 2005. Retrieved December 25, 2019.
- ^Leeper, Justin (April 4, 2004). 'GameSpy: NBA Ballers (Xbox)'. GameSpy. IGN Entertainment. Archived from the original on December 24, 2005. Retrieved December 25, 2019.
- ^The Bearer (April 21, 2004). 'NBA Ballers - PS2 - Review'. GameZone. Archived from the original on October 5, 2008. Retrieved December 25, 2019.
- ^Surette, Tim (April 26, 2004). 'NBA Ballers - XB - Review'. GameZone. Archived from the original on May 25, 2009. Retrieved December 25, 2019.
- ^Robinson, Jon (April 2, 2004). 'NBA Ballers (PS2)'. IGN. Ziff Davis. Retrieved December 25, 2019.
- ^Robinson, Jon (April 2, 2004). 'NBA Ballers (Xbox)'. IGN. Ziff Davis. Retrieved December 25, 2019.
- ^'NBA Ballers'. Official U.S. PlayStation Magazine. No. 80. Ziff Davis. May 2004. p. 101.
- ^'NBA Ballers'. Official Xbox Magazine. Future US. May 2004. p. 81.
- ^ abc'Review: NBA Ballers'. Playboy. Playboy Enterprises. March 2004. p. 39.
- ^ abCatucci, Nick (April 26, 2004). 'Love Ballin' Like Fat Kids Love Cake in Rags-to-Roca-Wear Story'. The Village Voice. Village Voice, LLC. Archived from the original on May 22, 2004. Retrieved December 24, 2019.
- ^ ab'NBA Ballers for PlayStation 2 Reviews'. Metacritic. CBS Interactive. Retrieved December 24, 2019.
- ^ ab'NBA Ballers for Xbox Reviews'. Metacritic. CBS Interactive. Retrieved December 24, 2019.
- ^Staff (May 3, 2004). 'GameSpot's Month in Review for April 2004'. GameSpot. Archived from the original on September 14, 2004.
- ^The GameSpot Editors (January 5, 2005). 'Best and Worst of 2004'. GameSpot. Archived from the original on March 7, 2005.
- ^Porter, Alex (April 5, 2004). 'NBA Ballers'. Maxim. Biglari Holdings. Archived from the original on June 3, 2004. Retrieved December 24, 2019.
- ^Campbell, Colin; Keiser, Joe (July 29, 2006). 'The Top 100 Games of the 21st Century'. Next Generation. Future US. Archived from the original on October 29, 2007.
External links[edit]
- NBA Ballers at MobyGames
Rags | |
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Music | Charles Strouse |
Lyrics | Stephen Schwartz |
Book | Joseph Stein David Thompson (revisions) |
Productions | 1986 Broadway 1999 New Jersey 2017 Connecticut 2019 Manchester 2020 London |
Rags is a musical with a book by Joseph Stein (with revisions by David Thompson), lyrics by Stephen Schwartz, and music by Charles Strouse.
Production history[edit]
The Broadway production opened on August 21, 1986 at the Mark Hellinger Theatre with little advance sale and to mostly indifferent reviews, and it closed after only four performances (and 18 previews). Directed by Gene Saks and choreographed by Ron Field, the cast included Teresa Stratas as Rebecca Hershkowitz, Larry Kert as Nathan Hershkowitz, Lonny Price as Ben, Judy Kuhn as Bella Cohen, Dick Latessa as Avram Cohen, Marcia Lewis as Rachel Halpern, and Terrence Mann as Saul, a trade union organizer. Despite its failure, it garnered a good deal of attention during the awards season, receiving Tony Award nominations for Best Musical, among others.
In 1991, Sony released a studio recording of the score. It featured most of the original cast joined by Julia Migenes replacing Stratas.
Revised versions
The creators reunited to present a dramatically rewritten and severely streamlined production at The American Jewish Theatre, New York City, which opened on December 2, 1991, directed by Richard Sabellico. This version had 9 actors playing all of the roles, featuring Ann Crumb as Rebecca and Crista Moore as Bella, and a reduced set, with two pushcarts on stage and imaginary windows, with the actors describing the exterior activity. The young immigrant mother has a best friend of almost equal importance, and the story is now told by David, the heroine's young son.[1][2]
The Colony Theatre Company, Los Angeles, California presented Rags in 1993.[3]
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They reworked the show again, staging it first at Florida's Coconut Grove Playhouse (February 1999) and then the Paper Mill Playhouse in New Jersey in November 1999.[4] The revised version cut the cast to 15, from the original Broadway cast of 30. According to Strouse, 'We tried to do too much. And now it's tightened, more focused. People got lost in it.. The diffuse, scattered story now centers on Rebecca Hershkowitz, a young immigrant mother who escapes to the Lower East Side after a pogrom, and her love affair with Saul, an American labor organizer trying to unionize the sweatshop where she works.. The [original] score was influenced by Middle Eastern, Irish, Scottish, English folk, American honky-tonk, obviously jazz and ragtime and klezmer -- even Greek music of that day, and Broadway, too.. It is now 'more impressionistic'.'[5]
In 2006, Schwartz, Stein and Strouse collaborated on the World AIDS Day Concert version of the musical, celebrating the 20th Anniversary of the show's Broadway opening. The concert was at Times Square's Nokia Theatre and featured Carolee Carmello, Gregg Edelman, Eden Espinosa, Lainie Kazan and Michael Rupert.
The Goodspeed Opera House presented an extensive revisal of the show in 2017, which started previews on October 6, opened on October 25, and closed on December 10. The musical has a new book by David Thompson, several new songs by Schwartz and Strouse, and starred Samantha Massell as Rebecca Hershkowitz. Entirely reimagined, this new Rags has a new plot and new characters and is directed by Rob Ruggiero.[6] The broadwayworld.com reviewer wrote: 'They [Goodspeed] have taken a show that many had written off as, simply, one of those shows that just didn't work, and they pulled it apart and put it back together as a fresh, vibrant, timely and important story. I fully expect that this will become the definitive telling of thiest Ends story, and it should.'[7]
Hope Mill Theatre
The UK premiere of the revised version of Rags was produced at Manchester's Hope Mill Theatre, playing from 2 March to 6 April 2019.[8] The production was directed by Bronagh Lagan and starred Rebecca Trehearn as Rebecca, Valda Aviks as Rachel, Gavin James as Bonfman, Sam Peggs as Ben, Jane Quinn as Anna, Michael S. Siegel as Avram, Robert Tripolino as Sal, Tim Walton as Jack, Lydia White as Bella. James Dangerfield, Emma Fraser, James Hastings and Hanna Khogali were members of the ensemble as well as being an on-stage band. The role of David was shared between George Varley and Lochlan White. This production at the Hope Mill Theatre was Co-produced by Hope Mill Theatre and Aria Entertainment with association of Knockhardy Productions. The London transfer of this production will open at the Park Theatre, London on 9 January 2020.
Film Adaptation
Working Title Films acquired the film rights for the musical in 1996, and the production was in 'development hell' ever since. Beanie Feldstein and Daniel Day-Lewis were in talks to play the parts of Bella and Saul respectively. No confirmations about the production as yet of September 2020.
Plot[edit]
Rags Game Player Mac
The following synopsis applies to the rewritten production (not the most recent Goodspeed version) and not the show that originally appeared on Broadway. As such, some musical numbers and subplots are not accounted for.
- Act One
As a ship bearing hopeful immigrants steams toward Ellis Island, a lone passenger reflects on the life he has left behind ('I Remember'). Rebecca Hershkowitz, a Jewish woman, has fled Russia with her young son David, hoping to find her husband, Nathan, who left for America years before and never wrote back to his family. Rebecca has made friends with Bella Cohen, a teenager emigrating to America with her father Avram ('If We Never Meet Again'); her brother Herschel remains behind in Russia. Bella has fallen in love with Ben, another passenger, but Avram does not approve.
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On Ellis Island, the unfeeling immigration officials treat the immigrants like animals ('Greenhorns'). With no male relative to claim them, Rebecca and David are in danger of immediate deportation until Bella begs Avram to rescue her friend. Avram pretends that Rebecca is his niece, and persuades his brother, who lives in a tenement on the Lower East Side of Manhattan to let Rebecca and David stay for the night. Bella, Rebecca and David marvel at the strange new sights in the streets below ('Brand New World'). Rebecca still feels lonely, and wishes that she can give her son a real home ('Children of The Wind').
Rebecca searches for her husband and takes a job sewing in a sweatshop, while David helps Rachel, a widow, selling trinkets out of her market stall. Bella works at home as a seamstress; confined to the tenement, she pines for Ben. Ben pretended that he had a wealthy uncle who would provide for him, but in reality, he has no uncle and works in a cigar factory. Avram, though an educated man in 'the old country,' hawks goods as a street vendor. Even so, the new immigrants remain upbeat ('Penny A Tune'). However, the business owners in the neighborhood are preyed upon by Mr. Rosen, a greedy man who demands they pay him for protection from his thugs.
Saul, a union supporter, confronts Rebecca, urging her to open her eyes to her poor treatment and unfair wages; he suggests that she better herself through education. Saul teaches Rebecca and David how to speak English, and tries to instill American values in them ('Easy For You'). To broaden their horizons, he takes them to see Hamlet as performed by a Jewish theatre troupe ('Hard To Be A Prince'). Rebecca realizes that she is falling in love with Saul ('Blame It On The Summer Night').
Ben comes to visit Bella, and admits he is only a factory worker. He has a new plan, to sell gramophones, and demonstrates one for her ('For My Mary'). As they dance, Avram returns and throws Ben out, forbidding Bella from ever seeing the boy again. Bella flies into a rage and accuses her father of not allowing her to achieve her own American dream ('Rags').
Meanwhile, Nathan, Rebecca's husband, is contemplating his position in the ranks of Tammany Hall, where he is promised great things if he manages to secure the Jewish vote for an anti-union Democratic candidate ('What's Wrong With That?'). He believes his wife is still in Russia until he discovers that she has placed an ad in the paper seeking him.
At the street market, Mr. Rosen comes to collect his bribes from the shopkeepers. Emboldened by the Socialist doctrine Saul has taught him, David stands up for Rachel and is beaten by Rosen's thugs. Rebecca blames Saul for corrupting her son and vows that she won't be fooled by any more idealistic notions of America. Nathan suddenly arrives to collect his wife and son ('Nothing Will Hurt Us Again').
- Act Two
Nathan explains to Rebecca and David how he has managed to climb up from the ghetto of the lower East side to a better life ('Yankee Boy'). Rebecca is unsettled that her husband has given himself the American name 'Nat Harris' and distances himself from the Jewish community; however, she also likes the idea of having a better life for her son ('Uptown'). She also longs for Saul, though they both realize their love can never be ('Wanting').
Avram and Rachel have fallen in love, enabling Avram to move out of his brother's house and provide Bella with a more stable family life ('Three Sunny Rooms'). Bella and David help Ben sell his 'Magic Music Machine' to excited customers ('The Sound Of Love'). The three are natural salesmen, and Bella is delighted to think that soon they will have enough money to marry. To help out, she goes against her father's wishes and takes a job at the Triangle Shirtwaist Factory ('Rags' reprise).
Rebecca accompanies Nathan to a costume party and feels unhappy with her husband, who acts ashamed of her. When David interrupts the party to tell Rebecca of a fire at Bella's shop, Nathan forbids her to leave. Knowing Bella is in danger, she goes anyway, but it is too late. Bella has jumped to her death from the burning building. Avram is destroyed by the death of his daughter, and Rebecca is confused and guilty ('Kaddish').
Rebecca leads the sweatshop workers in a strike protesting the unsafe conditions that lead to the deaths of the girls at the Triangle Shirtwaist Factory ('Bread and Freedom'). As the demonstration reaches near-riot levels, Nathan shows up to try and persuade his wife to come home with him. Rebecca sees Saul in the crowd and knows she must follow her heart and stand up for what is right ('Dancing With The Fools'). She refuses Nathan.
Avram is still grieving for Bella and is planning to return to Russia and the son, Herschel, he left behind when Ben comes to pay his respects. He tells Avram that leaving America would mean Bella died for nothing and gives him the gramophone, which plays a recording of Bella's voice. While Rebecca sings of her new life with Saul and David, Rachel and Avram welcome Herschel off the boat as a new wave of immigrants arrive ('Children of The Wind reprise/Finale').
Song list[edit]
Original Production
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Songs marked with an (*) are not included on the Cast Recording. Songs marked with a (^) are not consistently included in later versions of the musical.
**This song was originally scripted to be sung by Ben almost immediately after 'If We Never Meet Again' (and still remains so in some publications), however it was changed for the original Broadway production.
Hope Mill Theatre Production
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Rags Game System Player
Awards and nominations[edit]
Original Broadway production[edit]
Year | Award | Category | Nominee | Result |
---|---|---|---|---|
1987 | Tony Award | Best Musical | Nominated | |
Best Book of a Musical | Joseph Stein | Nominated | ||
Best Original Score | Charles Strouse and Stephen Schwartz | Nominated | ||
Best Performance by a Leading Actress in a Musical | Teresa Stratas | Nominated | ||
Best Choreography | Ron Field | Nominated | ||
Drama Desk Award | Outstanding Actress in a Musical | Teresa Stratas | Won | |
Outstanding Featured Actress in a Musical | Judy Kuhn | Nominated | ||
Marcia Lewis | Nominated | |||
Outstanding Orchestrations | Michael Starobin | Nominated | ||
Outstanding Music | Charles Strouse | Nominated |
References[edit]
- ^Gussow, Mel. 'Theater in Review'The New York Times, December 4, 1991, retrieved November 29, 2017
- ^Dietz, Dan. RagsOff Broadway Musicals, 1910–2007: Casts, Credits, Songs, Critical Reception and Performance Data of More Than 1,800 Shows, McFarland, 2012, ISBN0786457317, p. 371
- ^'Rags' listing and review, 1993 colonytheatre.org, accessed July 30, 2009
- ^Klein, Alvin. 'Critics Notebook. After Anatevka: Dark Look at a New Land,'The New York Times, November 21, 1999, retrieved November 29, 2017
- ^Klein, Alvin.'The Musical (and the Clothes) That Refused to Die'The New York Times, November 7, 1999
- ^Arnott, Christopher. 'Rags' Gets A Total Overhaul At Goodspeed'Courant, October 10, 2017
- ^Harrison, Joseph. 'BWW Review: 'Rags' at Goodspeed Opera House' broadwayworld.com, October 28, 2017
- ^'Tracie Bennett to star in Mame as part of Hope Mill Theatre's new season | WhatsOnStage'. www.whatsonstage.com. Retrieved 2019-01-09.
External links[edit]
- Rags at the Internet Broadway Database
- 2014 City Center interview with Charles Strouse about Rags